Cut the Fluff is a weekly newsletter that will help you become a confident editor. If this was sent to you, subscribe here so you don't miss the next lesson. Hey Reader, I realized this morning that I've been sending this newsletter for 7 months. Which means I missed my half-birthday! Anyone with kids knows that half-birthdays are totally a thing. My kids are 1 and a half, so I'll be stuck in the half-celebrations for the next decade or so. Why am I telling you this? Well... There are 3,458 of you now 🎉 and when I started, there were only 966 (I had a lead magnet draw a big initial crowd). So, that means 2,492 of you missed my most popular issue, which was issue number 2. I think it performed so well because it's a deep dive into redundancy, or the content pothole, as I call it. Redundancy is hard to spot when you're editing, but readers can always feel it. It adds tons of friction to the reading experience. Given its importance, I wanted to use my belated half-newsie-birthday celebration to resend this issue. By the way, this issue is also a lesson in my Content Editing 101 course. I actually wrote the issue, then made the course, and was like you know what, this is detailed enough to be its own lesson. Who said you can't ever steal from yourself? So, without further ado, here's the most popular issue of my newsletter and the one that I think will most practically help you become a better writer today. Enjoy! And Happy Father's Day. I waxed lyrical about my dad on LinkedIn a few hours ago. You can thank him for my terrible humor. Lesson 1: RedundancyRedundancy is the unnecessary repetition of ideas or words. It adds friction to the reading experience because readers feel, “Didn’t you say this already?” This split-second pothole pulls readers out of flow and into distraction. Here’s an example: The first sentence is 27 words. The second is 10. Think about how it physically feels to read those 27 words. You almost need to take a breath halfway through. It’s mentally exhausting. I’m not advocating to avoid long sentences. Diversifying sentence structure and length is a key part of holding attention. But most of the time, if there’s room to cut without losing meaning, do it. Let’s look at three common cases of redundancy. Case #1: Repeated wordsIn the best case, repetition adds rhythm and aids recall. In the worst case, it makes your writing awkward, creates friction, and screams laziness. Here’s a Twitter hook a past student of mine wrote: “Too often we think conflict is a bad thing. But avoiding conflict can be worse. I know, I’m a recovering conflict avoider. Over the last decade, I’ve been on a mission to embrace conflict. Here are 10 things I’ve learned.” Notice how they wrote conflict four times. Because it is repeated, it loses its flair. By the fourth mention, it feels like wading through quicksand. Here’s a quick tip: After mentioning a noun like conflict, you can use a pronoun in the next instance. “Too often we think conflict is a bad thing. But avoiding it can be worse.” It’s amazing how many writers repeat nouns when they could use pronouns. This is the most straightforward edit you can make to your content ASAP. Of course, there’s way more we can edit in this hook. Check the Loom video below for my full breakdown. P.S. I mentioned there’s a good case for repetition. There are tons of literary devices where intentional repetition proves helpful. For example, with Anadiplosis, you open a sentence with the last phrase from the previous clause. “The writer who became an influencer. The influencer who became a millionaire. The millionaire who changed culture as we know it.” (Oops, I accidentally wrote out a bro’s wet dream.) There are many more of these literary devices. Google “literary devices for repetition” if you’re curious. Case #2: Repeated ideas in one paragraphRepeated ideas cause more trouble because they’re harder to spot. They’re like the oil running low in your car. You know the ride usually feels smoother, but you aren’t sure what’s causing the friction. (Unless you have a newer car than my 2008 Honda CRV, which dies before it alerts me to what’s wrong. She’s got to go soon.) Here’s an example from a current student of mine: “B2B marketers are focused on results. They want to be confident their marketing efforts will engage their customers and drive growth. But ironically, that often leads them to choose messaging that feels safe, corporate, or impersonal over messaging that stands out. And messaging that’s corporate, or impersonal, or sounds like B2B-speak is messaging readers ignore.” This is pretty good! It’s clear, written well, and is easy to follow. However, redundancy rears its ugly head in the second paragraph. He can make the same point in fewer words without changing the meaning. Here’s my edit: B2B marketers are focused on results. They want to be confident their marketing efforts will engage their customers and drive growth. But ironically, this often leads them to choose messaging that feels safe, corporate, or impersonal. AKA: messaging readers ignore. We don’t need the phrase “over messaging that stands out” because it’s implied by the previous sentence that states, “They want…marketing efforts that will engage their customers and drive growth.” And we don’t need to repeat “corporate, or impersonal, or sounds like B2B-speak” because we’ve just made that point. It’s fresh in readers’ minds. Case #3: Repeated ideas in one draftAn example of redundant ideas is when you make a claim in your first H2, properly support it, then revisit the claim in your last H2 and support it all over again. This triggers deja vu and the reader will likely pause and realize the argument sounds familiar. Repeating that process is unnecessary because you made, supported, and concluded your claim earlier. Unless you’re referencing a previous argument to drive it home in a new way, this redundancy can make readers lose trust in your narrative because they may feel you’re wasting their time. Case #4: Repeated phrasesA redundant phrase is when you use 2+ words together that have the same meaning. For example: “Unexpected surprise” The fact that you’re surprising someone implies it’s unexpected. We often say things like this in conversation, but when we write it, it’s awkward. Here’s an exhaustive list of redundant expressions to avoid (so your writing doesn’t sound “off”):
And here are some longer redundant phrases (and what you can say instead): Longer redundant phrases (and what to say instead):
AND, we need to include redundant adverbs: Adverbs help to emphasize and convey meaning. But, they’re often overused, thus redundant. “He shouted loudly” is redundant. Loud is implied. BUT “They drove crazily down the street” is not redundant. Crazily describes the state of driving. Here’s a list of redundant adverbs:
​Here’s a Notion link of all these redundant phrases so you can refer back.​ Redundancy: The takeawayRedundancy makes your writing less succinct. Less succinct writing is harder to read. And if writing is hard to read, nobody will pay attention. (Bit of Anadiplosis for ya.) I’ll leave you with this: redundancy screws your flow, kills your pacing, and suffocates engagement. Avoid it at all costs. I hope this helps. The Loom LessonCheck out this Loom lesson, where I explain how to eliminate redundancy in my past student’s Twitter hook and show you my full edit. Here’s the before slide. You’ll need to watch the Loom to see the after. Watch the video: Catch you next week! Cheers, Erica Check out my 3 courses that 1600+ people have taken, loved, and gotten meaningful results from: 1. Long to Short: Turn one long-form piece into a month's worth of posts. A step-by-step system to repurpose, remix, and remaster your best ideas. 2. Hooked on Writing Hooks: Turn your ideas into content that actually gets consumed. Learn to write scroll-stopping hooks on social without resorting to clickbait nonsense that feels inauthentic. 3. Content Editing 101. Kill decision fatigue and build confidence as a writer and editor. A look inside a professional editor's workflow & best practices. Packed with lessons, examples, and a roadmap so you can stop second-guessing your writing & editing decisions. Each course is AI-powered 🪄 You can go through them manually or use AI to play, get it done faster, and test your new skills in real time. My friend & prompt genius Rob Lennon wrote all the prompts and bots for the courses. What'd you think of today's email? Reply and let me know. Erica Schneider ​ ​ |
Learn to edit words like a pro. I've edited 3M+ words and each week, I share a lesson to teach you what to cut, how to add value, and how to finally feel confident when editing. Every subscriber gets access to my Editing Library, a database of 62 edits broken down by the problem, my take on how to improve it, and my edited version.
Cut the Fluff is a newsletter that will help you become a more confident writer, even if you're not a "writer." If this was sent to you, subscribe here so you don't miss the next lesson. Hey Reader, When I went solo in October '23, my naivety came across as charming. I went on podcasts and waxed lyrical about how I "bet on myself so I could reach my potential." People listened and sent me "damn, that resonated" messages (like this one) in droves: At the time, I found the whole experience so...
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